NADT April Member Spotlight

 

 An NADTA interview with Karimah Dillard, MA, RDT

NADTA: Please tell us about your path to drama therapy.

Karimah: I took a somewhat circuitous path to drama therapy, and it continues on – straight in some places, narrow in others – though it continues to wind.  I follow faithfully because it is a point of connection to people, places and experiences I have only ever dreamed of.

Spotlight Picture 1After graduating from college, I went to work at a non-profit developing volunteer projects for community organizations.  My program manager knew how much I loved theatre and sent me to a workshop facilitated by Randy Taylor, the only registered drama therapist in the state of Georgia at the time (I believe I now own that title). Randy told me about his work at a local hospital and it reminded me of how much I loved the theatre games we used to play when I was in high school.  I would actually feel a bit disappointed when we went from pre-production to production because it was the theatre games that introduced ourselves to ourselves and connected us to each other.  I even remember saying out loud one day, “If I could do this for the rest of my life I would be happy”.  I never imagined in my wildest dreams that there was a place for me to do just that.   For the next three years I called the drama therapy department at NYU, as much to prove the validity of its existence as to ask for an application.  For three years I watched the blank applications pile up along with every other job I had from box office manager to teaching artist; from my mother’s home in Atlanta, to the Cultural Arts Center in Minneapolis.  In 2002, I turned a corner on my journey and started the program in drama therapy at NYU.

NADTA: Please tell us about your current work and projects.

Karimah: I am humbled by the resiliency of the human spirit and how dynamic and dramatic that can be.  Some of the most important work I do now involves trauma.  I am present with my patients or workshop participants as they explore some of the darkest caverns of their lives and am humbled by their trust in me to take them through a dramatic experience where we sometimes play with the unplayable.

Next Page